The conflict of the new changes of nature representation certainly became a correspondence for what people felt and experienced. The reality of the Romanticism era in the denial of industrialization and the emerging values of human beings within the existing nature resulted to varied reactions from different individuals of that time. Poetry made people understand the importance of revolution better than any other means. Through poetry, the most difficult and even dreaded subjects like death were appreciated in a more positive manner.
The reflection of what arts presented varied greatly but mostly reflected on the innermost feelings of the composers, presenting what they understand about the world.
The influence of Romanticism influenced artists to levels that made them rebuke classical principals. For example Friedrich landscape paintings were greatly inspired and surpassed the obvious representation of nature Spielvogel Christianity was revolutionized after following the criticism that for instance, not only the Catholics but also other existing practices and authorities could not convince the learned class.
However, Catholicism on its own where like in Germany, were majority converted to Catholic, which is well illustrated in work of a Frenchman Chateaubriand — benefited a lot from Romanticism age Spielvogel From the above study, Romanticism age represented a period that brought new insights to the importance of change in all aspects of life, defying the existing practices. Ranging from the late eighteenth century to early nineteenth, it brought the realization to people that the existing social practices failed to address their problems economically and socially.
Without doubt, the Romanticism age was an influential period to revolution, economically, socially and religiously. He was the first writer in English literature to portray the ordinary people as the only force capable of shifting the existing order of life. Shelley led the melody of verse to a degree of perfection unknown in English poetry before him. His rich imagination, his power of rhythmical expression, his harmonious lyricism and his passion for liberty made his poetry unequalled and brought him in a line with most momentous writers of the early nineteenth century.
Shelley had fervour for improving the world and this enthusiasm shines again and again in his writings, in glows that are now intensely comprehensible and exceptionally pure. His conviction in change, the equality of the genders, the strength of imagination and love are repeatedly communicated in his poems, and they provoked much disputes among his conformist confreres. From the artistic point of view, the most visible characteristic of his verse is the rapturous yearning for Beauty and its glorious manifestation.
More than any other Romantic poet, Shelley brought a stirred moral sanguinity to his compositions which he expected would influence his readers sensuously, morally and spiritually. His poetry is crowded with love, beauty, imagination and sinuosity that are the heart of romanticism.
Keats was a zealous philosopher, as disclosed by his letters; in these he meditated on the essence of poetry and the poet and fought with the problems of anguish and demise. He was the last eminent English writer to whom Greek mythology was an abiding and living source not only of delight but of elevated understanding of the natural world as well.
Whilst Shelley was supporting unachievable reforms, and Byron enunciating his own egotism and the political dissatisfaction of his age, Keats dwelled apart from human race and from all political values, venerating beauty like a zealot, completely content to compose the things that were in his own heart, or to mirror the grandeur of the natural world as he noticed or desired it to be.
Like other great poets of his generation, Keats made the investigation of poetic imagination and creativity the prime pursuit of his verse. Through the imaginary characters of goddesses Psyche and Melancholy, the natural symbol of the nightingale, and the man-made urn, Keats contemplated and verified his queries concerning the conditions that enables creativeness, the various forms the creativeness can take, the connection between nature and art, and the link between eternal art and its mortal creator.
Keats was the great expert of the Romantic ode. However, all through his career Keats displayed notable intellectual and artistic development. He would have produced more and superior narrative poetry, wherein human personages depicted with psychological discernment would have moved before a background of romantic beauty.
Taking into consideration all the above mentioned, we can assert that both Keats and Shelley were true Romantics with their ardent admiration for the natural world, idealism, emotional and physical passion, and fascination with mystical and supernatural. Their poetry is soaked with intense philosophy on life, nature and human identity which were the topmost concerns of the Romantic age. Shelley and Keats established Romantic verse as the principal poetic institution of the age.
They breathed a second life to the classical poetic forms and adapted them to illustrate the fundamental problems of their time. Being the last masters of the sonnet, they both made it a dazzling medium of personal expressions. Though, Shelley and Keats were the most contentious literary men of the first decades of nineteenth century, their importance to English language and literature is broadly recognized in our days.
Having much similar in imagination, thoughts, productions and fate, they laid the foundations for the contemporary literature, both verse and prose. Essay UK - http: If this essay isn't quite what you're looking for, why not order your own custom English Literature essay, dissertation or piece of coursework that answers your exact question?
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Romanticism in literature, began around and lasted until Different from the classical ways of Neoclassical Age(), it relied on imagination, idealization of nature and freedom of thought and expression.
Romantic literature generated a different ‘creative spirit’ that displays itself in the poetry of Wordsworth, Coleridge, Shelley, Keats, Byron and in the prose of De Quincey, Lamb, .
The Romanticism was a period in which authors left classicism, age of reason, in the old world and started to offered imagination, emotions and a new literature that toward nature, humanity and society to espouse freedom and individualism. Romanticism is not the bastard child of the Enlightenment but its mistress’. Discuss with reference to ideas about ‘savage’ peoples. In this essay on Romanticism I intend to review some of the key ideas from political and economic philosophy and the general themes that characterised the thinking of the two movements. I hope to trace the course of the .
English literature - The Romantic period: As a term to cover the most distinctive writers who flourished in the last years of the 18th century and the first decades of the 19th, “Romantic” is indispensable but also a little misleading: there was no self-styled “Romantic movement” at the time, and the great writers of the period did not call themselves . Realism expressed a message that depicted situations realistically, whereas romanticism illustrated messages by using fiction. Both are informative reflections of American life and culture. Works Cited. Campbell, Donna M. "Realism in American Literature, ". Literary Movements. Dept. of English, Washington State University. 07 Sept