And thereby hangs Faulkner's tale. Into both settings of change the author introduces a hero who, fortifying himself in an anachronistic, essentially horrible, and yet majestic stronghold, ignores or defies the insistent encroachments of time and progress.
It is the different and yet similar ways in which Poquelin and Miss Emily oppose these encroachments that their creators show their kinship and, after all, their basic difference. Each curtain goes up on an isolated fortress from bygone days. His only relative, a much younger half-brother named Jacques, has not been seen for seven years, two years after Poquelin and he left for the Guinea coast on a slave-capturing expedition and Jean Marie returned alone.
No one saw him come. So far as anyone knows, Poquelin lives only with an old African housekeeper, a mute. Emily Grierson is a similarly sinister relic. Her lover has since disappeared. A neighbor saw the Negro man admit him at the kitchen door at dusk one evening. And that was the last we saw of Homer Barron.
The only other inmate, we read, is an old Negro house servant, who does not utter a word during the course of the story. Progress, in the form of municipal expansion, becomes old Poquelin's adversary. Surveyors give signs of running a new street close to his house and of draining the morass beside it. This is, we note, a Poquelin reverse that the townspeople relish; they too oppose new streets, and will welcome engineering difficulties, but their fearful scorn for Poquelin causes them to look upon his forcible return to the community with pleasure.
Poquelin goes directly to the Governor, pleads with him in broken English after the Governor understandably declines to speak in the French tongue. He pleads on the old, man-to-man basis of the past when informality and the importance of the Poquelin name would have made this kind of interview expectable; does not take kindly to the Governor's suggestion that he deal with the city authorities; and even proposes that the Governor personally intercede with the President on his behalf.
To the Governor's innocent query about the stories associated with his house, Poquelin haughtily refuses to answer, and then departs. The city official to whom the Governor has referred him also knows no French and deals with Poquelin through an interpreter.
Unsuccessful here too, Poquelin swears abusively and leaves. The new street is cut through, and houses go up near Poquelin's, but still the ugly old ruin remains, to the growing exasperation of the townspeople.
Now the newer arrivals plot to persuade, then coerce, the old man to build a new home. Their efforts are rebuffed firmly by Poquelin, who refuses to permit conversation about it with the president of a local Board recently organized.
The townspeople renew their pressure on Poquelin and even threaten mob action a charivari, they say ; but on the fateful night they are thwarted, both by the efforts of one of their group who, on a secret visit to the house, becomes suspicious of a revolting odor about the place, among other things and by the death of Poquelin himself.
His body is brought out of the house by the old African mute, followed by the long-missing Jacques, a leper whose existence he has successfully concealed from all for seven years. Hoisting the coffin on his shoulders, the Negro starts out toward leper soil, Jacques with him.
Equally impervious to community pressure, Miss Emily is also menaced in the shabby majesty of her seclusion by the passing of time and by progress. She refuses for days to let the neighbors in when her father dies, and two years later scandalizes them by consorting openly with the crude Yankee, Homer Barron. She defies society by refusing to identify to the druggist the purposes for which she is buying the arsenic. Shortly afterwards, when Homer apparently deserts her on the eve of their presumed wedding, and an offensive smell develops in her house, there is angry complaining to authority.
The house remains just a solid structure where a person can seek refuge yet neglect the house because of the problems that the resident is facing. Ultimately the main purpose of a house is to make it a home. And it is only through joy and peace that a house can become a home. But with a situation like Miss Emily, her house was just a structure that never became a home.
For the story described that: However, it did not seem to be a happy home. Miss Emily was distant because her father made her so. The death of her father made her more aloof. Even the issue of her tax obligation to the city did not make her move out of her house.
This is the point that the gloom of her life and her house was witnessed and seen by the city deputy. It was when they had not choice but to visit Miss Emily and confront her with her tax problems: It smelled of dust and disuse — a close, dank smell.
There was a certain point in time that the decay of the house and of the life of Miss Emily really became so obvious and apparent. The neighbors believe that since it is only the Old Negro Man, Toby, the house is not being maintained properly: It is because the neighbors have already started to smell the very bad odor coming from the house of Miss Emily.
And so as the house became ugly as time went by, it also proved that Miss Emily is likewise getting old and so remorse in her life. When her neighbors paid respects to Miss Emily on her deathbed, it was more than to express sympathy, but more so out of curiosity to have a look at the inside of that house that turned to dust and decay.
And there they saw in her bedroom, the most bizarre turn of events that the house and the life of Miss Emily became: The loneliness and pain and haughty pride that destroyed that beautiful, elegant house and turned it to ugliness — can be greatly felt. The description of the house and the scary things that eventually happened there are more vivid than the way Miss Emily experienced her sadness.
She stayed in that house even she lacks the seeming concern about maintaining its beauty or cleanliness. The only thing that Miss Emily knows is that she is safe there to keep her to herself; to keep her sad life a secret and to keep her lover from running away from her again. Together, Miss Emily and her house died together. Reading the three different novels "Old Mortality", "Noon Wine" and "Pale Horse, Pale Rider" you will learn that despite the different plots in the novels there is a common thread.
The protagonists in all three novels has been challenged or locked in some way by the society but finally breaks free and live a better life the way they want to. The strong individual beats But up to now he hasn't been a creator, only a destroyer.
Alexandre Dumas also known as Alexandre Dumas, Pere is a french author best known for his talents, prolific plays, and historical adventure novels. He was born on july 24, in villers-cotterers, France. Duams, got his last name from his grandmother, who was a former haitian slave. His novels the three musketeers and the court To Kill a Mockingbird is a heroic tale filled with demonstrations of leadership and courage by several characters throughout the story, yet there are characters within the novel who display the exact opposite.
To Kill a Mockingbird shows courage and the lack of it in many forms. Courage is shown when people step out of their comfort zones and face adversity in any way Discuss the theme of appearance vs reality in the novel To Kill a Mockingbird. In Harper Lees novel To Kill a Mockingbird, the theme of appearance vs reality is a very prevalent one.
In the novel, there are two types of prejudice presented, that is racial prejudice and social prejudice. Racial prejudice is presented throughout the Sorry, but copying text is forbidden on this website.
"A Rose for Emily" tells the story of tradition versus nontraditional and old versus new, which is brought to light through the story's plot, characters, and setting. Right the beginning of the story it is clear that it will be about old versus new.
Essay on A Rose for Emily Setting Analysis Words | 3 Pages A Rose for Emily Setting Analysis In "A Rose for Emily", a woman (for whom the story is named) confines herself in her somewhat large house in a small town during the early half of the twentieth century.
Faulkner never describes the actual relationship between Miss Emily and Homer; thus, readers must decide whether “A Rose for Emily” is a gothic psychological tale or a tragic story of unrequited love. Crytical Analysis Essay on A Rose for Emily Resistance to change is the underlying theme of American author William Faulkner’s short story entitled “A Rose for Emily.” The critical analysis essay on A Rose for Emily is an in-depth exploration of how the main character, Emily Grierson, relates with the society.
In the short story, A Rose for Emily, Faulkner writes about love and the effects it can have on a person. The loss of Miss Emily's father took a huge toll on her; her father was the only one who loved her. “A Rose For Emily” Analysis Essay Sample. INTRODUCTION “A Rose For Emily” is a story of a Black, Southerner American lady who lived a most mysterious, distant life.