In the final scene, the true natures of Katharina and Bianca come out for everyone to see. It is Bianca who is the disobedient wife, and it is Katharina who gives a disquisition on the perfect Elizabethan wife. Whether her speech is to be taken at face value or as a statement of irony is debatable. He annihilates her resistance with his outlandish actions. At his country house outside Padua, he mistreats his servants unconscionably, demonstrating to Katharina the kind of behavior that she has displayed.
He then deprives her of sleep, food, and drink, as one would tame a falcon. Finally, he deprives her of fine clothing. By his example, she is led to see her own unreasonable behavior. The Taming of the Shrew is a perennially popular stage production that can be performed and interpreted in various ways, depending on the inclinations of the directors.
Old Baptista of Padua has a problem. Though Kate is well-dowried and fair, her temper is legend. Father, sister, and suitors writhe under the lash of her tongue. In a scene perhaps better dramatized than read, the sparks fly as Petruchio ventures to woo Katherina. He pretends to have heard nothing but good of her. As she insults him, he compliments her courtesy.
This is only a skirmish in the battle between the sexes; later, Petruchio comes late to the wedding, wears tattered clothes, and rides a pathetic excuse for a horse. He swears at the priest, smacks a loud kiss on the bride, and hurries her off without the comfort of a wedding feast.
Nothing is good enough for his Kate, so the food is thrown out, the bed flung asunder, her new gown returned to the tailor. Petruchio flatters and then harrasses Kate, as if in a game. Kate alters her behavior to please Petruchio, but the audience may not be convinced of her sincerity. Petruchio seems interested only in appearances. He explains to the men that he and Kate will fight openly while treating each other cordially in private.
He appears concerned more with his image before the other men than with developing a sincere relationship with Kate. Grumio imitates Petruchio in an absurd way. This also suggests that Petruchio may be doing the same, but convincingly so. Through the behavior and disguises of the characters, as well as the crossdressing on the Elizabethan stage, The Taming of the Shrew emphasizes that appearances are easily mistaken for reality, both in life and in the theater.
Topic 2 In The Taming of the Shrew, Petruchio employs various strategies to trick or to coerce his wife into obedience. Petruchio temps Kate with the finest of foods, but Petruchio is outraged and claims that the supper is unfit. He decides the pair will fast, and they pack up and go to bed. It is at this point that Petruchio admits he is going to tame his new wife like a falcon.
He plans to deprive her of sleep, food and sex and claims he will be doing this all in loving care. Petruchio has rises up to the challenge and begins acting as a reflection of Kate. He is rude, stubborn and willful. All the characteristics Katerina once possessed. He has in turn, deceived Kate by not acting him self, rather someone he certainly is not.
Katerina is excited for she hopes for new clothes. Petruchio again teases Kate by saying that the clothes are hideous and they will certainly not do. What miscuing stuff is here? Petruchio again is stamping his authority.
He is sending a message to Kate that he is in charge, and if she wants any chance of happiness, she must agree with him. Whilst walking back to Padua, Petruchio declares that the moon is shinny brightly, when in reality it is the sun. Kate contradicts her husband stating this, and he will not have it. He threatens that the pair will return home and not attend the wedding. At last, Katerina understands the point and states that it is the moon or the sun, or whatever he wishes it to be.
It seems that the battle is over. Back at the house, everyone claims that Petruchio has the worst of wives. When Bianca and the Widow are called they refuse to come, but when Kate is summoned, she not only attends to her husband, but she also lectures the other wives on how they should behave towards their husbands.
Kate has come along way from the beginning of the play; it appears that Kate has been tamed. Her attitude has completely changed, and her willful and stubborn behavior completely disappeared. Petruchio has succeeded in giving her a taste of her own medicine, and in turn molded her into a gentlewoman. So is this another level of deception? Has Kate really been tamed or is she simply playing along in a game with Petruchio once again?
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- The Taming of the Shrew Essay: Katherina's Development Katherina's development in the play, The Taming of the Shrew, is a complicated dilemma for the reader to figure out. Is .
The Taming of the Shrew essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of The Taming of the Shrew by William Shakespeare.
Bloom, Harold, ed. William Shakespeare’s “The Taming of the Shrew”: Modern Critical Interpretations. New York: Chelsea House, New York: Chelsea House, Not for the faint-hearted, this collection of essays is useful for indicating the trends of modern scholarship regarding the play. The Taming of the Shrew Essay. BACK; NEXT ; Writer’s block can be painful, but we’ll help get you over the hump and build a great outline for your paper.
When we first see Katherine, she is labeled a shrew by everyone she encounters (most disturbingly her father), and so she behaves in a predictably shrewish, loathsome manner. But like the lord in Christopher’s story, Petruchio sees potential for reinvention in everyone he encounters, and he thus tells Katherine that she is actually mild, lovable, and generous. William Shakespeare's play "The Taming of the Shrew" is a lighthearted, slapstick comedy written in the 's. This particular era is classified as the William Shakespeare’s play “The Taming of the Shrew” is a lighthearted, slapstick comedy written in the ’s.